Anthony Greenbank's cult book
Survival in the City shows you how make your way through the urban jungle, with gritty black and white illustrations and a sense of impending peril around every corner. The urban survival handbook is not quite as popular as it once was (although Greenbank's book eventually morphed into the
Book of Survival, and made its way into things like the
low-tech library), we're now too cynical and jaded to look at this advice except through a fug of irony.
Did we ever take this sort of thing at face value? Witness the enormous success of the
Worst Case Scenario series, useful/useless advice presented with a nod and a wink, more likely to surface in a Christmas stocking than a mercenary's backpack. Admittedly, true practitioners of the dark arts of
survival can find a market for their less ironic tomes (and dig a little deeper into the
world of the
survivalist and your pixels will start oozing pure
panic) but it seems that 21st irony has largely superseded the streak of urban panic that ran through the 70s and 80s.
Perhaps Greenbank blamed the French. The
riots of 68 had nailed the idea of the city as a device of perpetual control, a theory based on the demolitions and constructions of
Baron Haussmann, the best-known proponent of the rational, socially-divided city. According to the Situationists, "he nicely separated leisure areas from work places, thus announcing modern functionalism, as illustrated by Le Corbusier's precise zone tripartition (one zone for circulation, another one for accommodations, and the last one for labour)." Take a look
Above Paris, courtesy of the
tmn gallery of the work of aerial photographer Roger Henrard, two decades before the
barricades went up.
Greenbank's urban environment was, of course, America, where simmering unease had sporadically
exploded into confrontation. Urban survival combines the fear of widespread disorder with an ongoing, unrelenting attack on life and liberty from all corners, be they drug addicts, muggers, kidnappers, whatever. This was the era of
Assault on Precinct 13, and the city was, by its very nature, unsafe. It's ironic that disorder should plague the American city, given the European experience of reconstruction to maintain division and control. Before Haussmann had even been let lose on Paris, Christopher Wren
wanted to have a go at post-Great Fire London, drawing up a classic plan for the medieval morass that was the City (taken from the many maps at
London Ancestor). A similar story is told in Lynda Nead's
Victorian Babylon, which chronicled the
removal of Holywell, a small thoroughfare north of the Strand lined with bookshops, many of which were prone to displaying saucy pictures, hastening the street's destruction, and the passing of the
Obscene Publications Act of 1857.
The act was a form of Hausmanisation, just not an architectural one. (Hausmanisation is not a word in common usage, but one which crops up in this post,
This is not architecture, over at
Kosmograd. See also the post
Spore Cities and, while we're at it, the 'Julian Opie
Lenticular' cover for
Draft Magazine, which also
introduces us to the works of
Garth Walker and
Asuka Ohsawa. The latter produces ultra-twisted little vignettes in a quasi-traditional style. Phew).
We digress. Paris in the
floods of 1910: big,
striking images. Another set of
1910 images, taken by Pierre Petit, hosted at the
Historic Cities site. See also the Seine at a low point in
1943. Related (and referenced in
today's Guardian),
Global Warming - London Flooding, a projection using the amazing
Virtual London /
New Popular Edition maps. The UK in 1940 / the work of
Andrew Bracey (via
Flavorpill) /
DesignNotes, a weblog by Michael Surtees /
when is Brand X better? /
why is the CGI in Jurassic Park so good?Was there a mysterious
13th episode of
Fawlty Towers? / 2006,
the year in pictures, courtesy of
i like /
The Ryde, a group of courtyard houses in Hatfield, Hertfordshire. One of the best is
currently for sale /
Cafe Kafka, a weblog /
architectural objects available at
Cornucopia3D / the
soundblog / the survival books has also been commented on by
others, and it has even
inspired some rather
creepy music / designer Eliot Noyes' own
house in New Canaan, still lived in by his widow, Molly / Jeff Bezos's
Goddard space vehicle, built by his
Blue Origin company, finally
breaks cover, two months after the first trials /
celebrity patents / is the American house reaching its peak?
What was supersized may one day be downsized: 'Today's McMansions, with their overbearing scale and frenetic ornamentation, are a pretty close match for Victorian excess.'
Six Months in a Fleecy Coat, blogging from Antarctica. See also the
Antarctic Conservation Blog, concerned with 'conserving artefacts from the explorer's hut left behind by Ernest Shackleton in 1908.' And just for good measure,
Tchotchke schlock, Laurel Blossom's musings on 'Souvenirs of the Shackleton Exhibition', back in
things 10 /
Mr K puts together an impressive list of the
Best Links of 2006; reading it is like delving back into the artworks, trends, events and oddities that spiked into our consciousness these past twelve months. All of them now seem so last year, as the internet's relentless whirl and churn makes novelties ever shorter-lived.
Poppytalk, a weblog / visual weblog:
thrilling wonder. The post on the
Winstanley Lighthouse (scroll down) is fun, the second of
five built on the Eddystone Rock since 1698. Winstanley's
eccentric tower has survived in many reproductions and prints. A fine collection of
thirty famous British lighthouses (at
The Seafarer /
The One Train /
marketallica, marketing trends via Turkey / the preservation
woes and wonders of 2006.
coming to us via
THINGS MAGAZINE